WRITING

ARTIST BOOKS

RoCH Fans & Legends (Derby: QUAD/Manchester: CFCCA, 2017) e-publication, design by Land of Plenty, essays by Alice Ming-Wai Jim, Jean Hui Ng, Marquard Smith, Henry Tsang, Luke White, Andrew Willis, Wayne Wong
RoCH Fan (London: SPSL, 2015) 90 panel concertina, 8415mm x 187mm x 102mm, full colour edition of 200, design by March
Faster, Higher co-edited with Nina Ernst (London: Film & Video Umbrella, 2009) 116pp, 243mm x 169mm, full colour, hardback box, essays by Chris Berry and Adrian Rifkin
Golden (Notes) (London: SPSL, 2007) artist book, 196pp, 180x180mm, full colour, contributors: Sonia Boyce, Mimi Lok, Joanne Morra, Irit Rogoff, Naomi Siderfin, Rob Stone, Gilane Tawadros
NEWS (London: SPSL, 2005) artist book, 32pp, 150mm x150mm full colour

ARTIST PAGES / VISUAL ESSAYS

D/Eluding Definitions‘ in 30 Years of Centre for Contemporary Chinese Art (Manchester: CFCCA, 2016) pp.118-133
Six Women – Art Vapours with JC Kristensen, in Elisa Adami & Alessandra Ferrini eds, ‘In the Presence of Absence’, themed issue, Mnemoscape Magazine, www.mnemoscape.org (2015) n.2
RoCH Fans & Legends (Entries) in Juliette Kristensen & Marquard Smith eds, Archives, a special issue of Journal of Visual Culture (London, CA, New Delhi: Sage, 2013), v.12, n.3
Making Ways in Raiford Guins, Juliette Kristensen & susan pui san lok eds, Ways of Seeing, a special issue of Journal of Visual Culture (London, CA, New Delhi: Sage, 2012), v.11, n.2, pp.196-204
‘Faster, Higher’ in Hilary Powell & Isaac Marrero-Guillamón eds., The Art of Dissent: Adventures in London’s Olympic State (London: Marshgate Press, 2012), pp.90-99
‘Faster, Higher’ documented in The BFI Gallery Book ed. Elisabetta Fabrizi, one of eighteen exhibitions presented at the Southbank venue between 2007 and 2010. (London: BFI, 2011) 296pp, full colour, pp.76-84
NEWS featured in Paperweight (London: Polygraphia, 2011) v.1, n.2
NEWS/ REEL featured in Melanie Keen & Eileen Daly eds. Necessary Journeys (London: Arts Council England, 2005)

SCRIPT

‘Altar Notes’ one of nine micro-plays commissioned and produced between Beijing, London, and Hong Kong for 2012-1997: Hong Kong Impressions, staged at Yuen Long Theatre, Hong Kong (2012)

EDITED JOURNAL ISSUES

Ways of Seeing co-edited with Raiford Guins & Juliette Kristensen, special issue, Journal of Visual Culture (London, CA, New Delhi: Sage, 2012), v.11, n.2
‘Hong Kong, and other Returns special issue, Journal of Visual Culture (London, CA, New Delhi: Sage, 2007), v.6, n.3, editorial, pp.330-332

BOOK CHAPTERS & JOURNAL ARTICLES

‘SPSL/A–Y (revised)’ Journal of Contemporary Chinese Art, v.3, n.1&2, June 2016, pp.169-182
Marquard Smith, Journeys, Documenting, Indexing, Archives and Practice-based Research: A Conversation with susan pui san lok Art Journal (2006) Winter 2006, v.65, n.4, pp.18-35
Translators’ Notes essay in Mieke Bal & Joanne Morra eds, ‘Acts of Translation’, special issue of Journal of Visual Culture (London, CA, New Delhi: Sage, 2006), v.6, n.1, pp.125-148
‘Outtakes’ essay in Dennis Atkinson & Paul Dash eds., Social and Critical Practices in Art Education (Stoke on Trent: Trentham Books, 2005) pp.103-116
A – Y (Entries for an Inventionry… essay in Third Text, n.62, 2003, pp.63-70, re-published in David A. Bailey, Ian Baucom, Sonia Boyce eds., Shades of Black: Assembling Black Arts in 1980s Britain (London: Iniva, N. Carolina: Duke UP, 2005), pp.59-66
Staging / Translating: Surname Viet Given Name Nam essay, Third Text (1999) n.46, pp.61-72

SELECTED REVIEWS & CATALOGUE ESSAYS

‘Anthony Key’ exhibition catalogue essay for Anthony Key: From South China to South London (London: Unit 2 Gallery, 2006)
‘If You Were There’ exhibition catalogue essay, Mayling To: If You Were There (University of Hertfordshire: Margaret Harvey Gallery, 2005)
‘Inglorious Food’ exhibition catalogue essay, Anthony Key (Bristol: Eddie Chambers, 2002)
Erika Tan – PIDGIN: interrupted transmission exhibition review, Third Text (2002) n.59, pp.208-211
‘Trinh T. Minh-ha: Cinema Interval’ book review, Parallax (2001) n.19, pp.128-130
Tailing TRACE/Y: The Liverpool Biennial of Contemporary Art exhibition review, Third Text (1999) n.49, pp.101-104

THESES

‘A – Y: Of ‘British Chinese’ Art’, PhD thesis, 1997-2004, University of East London
‘Staging / Translating: Surname Viet Given Name Nam, MA thesis, 1996, University of Leeds